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In the wake of over 50 editions exploring the global Black diaspora, this marks a last column. The experience proved deeply rewarding, with sincere thanks offered to every one of the dedicated followers.

A Look Inside Accra Cultural Week

Experiencing the exhibitions, installations and acts of the festival, it becomes clear how the finest art sustains and builds a nation's past and character. The centrepiece was certainly the artist's remarkable [Dis]Appearing Rituals: An Open Lab of Now for Tomorrow, which put his pioneering afrogallonism for all to see: a concept that transforms plastic containers into mesmerizing works of art, tapestries of yellow, brass and gold. The display was conceived as a testament to the strength of Jamestown, a historic quarter of Accra.

Jamestown – predominantly home to the Ga ethnic group, a community of fishermen – is furthermore where numerous formerly enslaved people arrived from South America and established themselves in the 1830s. Referred to as the Tabom people, they carried with them Portuguese tongue and customs.

All across Jamestown, you can see a fusion of architectural styles. There’s Fort Vicentia, featuring its characteristic European-style masonry and curved entrances. One can also see the famous beacon, constructed in the 19th century and subsequently given its signature striped appearance.

Traditions of Remembrance

Also notable about Jamestown is the ubiquitous presence of obituary announcements. Everywhere you turn, be it plastered over buildings or on big hoardings, you’ll see announcements and phrases of mourning. In Jamestown, as throughout Ghana, funerals are large-scale community celebrations.

In this breathtaking exhibition, the entirety of the sensory and spiritual landscape of Jamestown are present – notably in the engaging beach-themed installation. In this space, visitors are calmed by the audio of crashing waves with sand on the floor, while shacks, nets and representations of vessels celebrate its spirited, multigenerational maritime community. However being present in this gallery, it's hard to ignore the piles of textile waste that mar the beauty and tranquillity of the area.

Apart from the Headline Act

There is additional highlights. Within an raw space at the campus, artist Sylvester showcased a deeply moving minimalist collection, an emotionally powerful, austere presentation that featured three-dimensional works and paintings made in collaboration with metalworkers.

And then there is the prestigious art award for women artists of Ghanaian origin. It included the debut presentation of a recent recipient, whose work draws on familial archival records to craft a depiction of life in the nation's recent history. The event also honored a latest winner, whose multidisciplinary work is particularly concerned with the craft techniques of women in a specific region.

A Permanent Legacy

While the diaspora has increasingly been drawn back to the region during the western winter, a growing cohort are contemplating journeying earlier in the year to immerse themselves in the area's festival period. Between this festival and similar gatherings, what is evident are cultural ecosystems that are not simply new or “upcoming” but have forged an complete universe that is permanent.

Ultimately, the experience leaves one with a vision of Accra that serves as a statement for conservation and the preservation of tradition. It is a compelling tribute to perseverance in all its manifestations.